I’m not going to dive into a biography of Lawrence, a very good one can be found here, but instead explain his coming to Taos. Lawrence had to be enticed, somewhat begrudgingly to New Mexico by the wealthy Mabel Dodge Luhan who, having read some of Lawrence’s writings, wanted him to come to Taos and capture the spirit of the place and the native population in the way he had for the peasants of Italy in his book Sea and Sardinia. A woman of considerable means, Mabel sent Lawrence a series of letters filled with native herbs (which he remarked tasted of liquorice) and a necklace from a local craftsman for Freida, although this was lost in the post. He arrived with Frieda in late 1922, but after numerous disagreements with Mabel and her husband, Tony, they left for Mexico in early 1923.
They returned in 1923 and disagreements started again, when Mabel proposed that they give the Lawrences the Kiowa Ranch, some 20 miles from Taos, now known as the DH Lawrence ranch. While the couple spent a relatively short time there, the ranch became the only property that they ever owned during their marriage and it became a place of rest and relaxation, where Lawrence wrote much of his novel, St Mawr and began The Plumed Serpent, during five months of the summer of 1924. He also wrote his short stories The Princess and The Woman who Rode Away in this period. Aldous Huxley is known to have visited the Lawrences at the ranch.
By October 1924, Lawrence and Frieda left for Mexico and it was while they were in Oaxaca that he was diagnosed with tuberculosis. The couple returned to the US with Lawerence wearing rouge on his cheeks to disguise his illness from American immigration officials, and by April 1925 they were back at the Ranch where they spent the summer, Lawrence continuing work on the novel which became The Plumed Serpent. However, with his better health and their six-month visa about to expire, Lawrence was determined to return to Europe. They left Taos on September 11, Lawrence's 40th birthday, and settled again in Italy.
It was great to tap Andrew for this information as elements like the necklace going missing, the taste of herbs or the rouge on Lawrence’s cheeks to hide his TB (not to mention finding out that in New Mexico he had a pet cow called Susan) was invaluable as this colour to the story makes it so much more real. We then talked about the archive holdings that the university has around Lawrence, including his palette, shoes and poncho from his time in Taos. I want to bring over something of Lawrence and his time in Nottingham to Taos as a gift from us here and we chatted about looking through the archive for some early dialect poems which we could reproduce and frame. Andrew and I have an idea which one but we’re not saying yet!